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Jean-Pierre JEUNET : "Mes souvenirs de tournages"

Set years after Alien 3, Alien: Resurrection manages to get Ripley Sigourney Weaver back by having her cloned from blood samples. The result is the usual… greedy idiots breed monsters to harvest, monsters escape, carnage, death, destruction, etc. Commonly held to be the low spot of the Alien series until Prometheus came along!

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The critics themselves seemed confused. The City of Lost Children is a return to the post-apocalyptic, surrealist, fantasy but with a bigger budget! Unfortunately Krank is so scary he only gets nightmares. Not having the same success as Delicatessen, it is easy to drop this into the cult category, but I think that is unfair. It is visually beautiful, witty, complex, and, at times, confusing film that tugs at things hidden in the deepest, darkest recesses of your memory and deserves a much wider audience.

The Young and Prodigious T. Spivet — Without telling anyone, he sets off from the family ranch in Montana to Washington D. With its over-bright palette and quasi-steampunk sensibilities, there is plenty to please the eye. He is among a group of men accused of self mutilation to avoid the front line at the Somme. Jodie Foster has a cameo as a Polish expat in France. Based on a novel of the same name, written by Sebastien Japrisot, this is a departure from the surreal, dark humour of his other films as well as being a story of some historical consequence.

Jean-Pierre Jeunet ne tournera pas la suite d’Amélie Poulain car "Paris est moche maintenant"

The first full length film by the team of Jeunet and Caro is a surreal delight. Vagabond circus performers, homicidal butchers, militant vegetarians, and lusty postmen come together in a post-apocalyptic black comedy. Dominique Pinon plays Louison who is formerly of the circus act Stan and Livingstone. He loses that gig after the audience kill, butcher, and eat his partner Livingstone the monkey.

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He arrives at the apartment block owned by Clapet the butcher Jean-Claude Dreyfus after answering a help wanted advert. The story revolves around Bazil Dany Boon whose father is killed defusing a land mine. Later in life, Bazil is a video hire shop worker and gets hit by a stray bullet from a drive by.

Following this, Bazil loses his flat and his job and ends up falling in with a crowd of misfits living in a cave carved out of a rubbish tip. While out looking for useful rubbish, Bazil comes across two companies facing each other; one made the bullet lodged in his brain and the other made the landmine that killed his father. The group get together to bring about the downfall of the two companies. Being a Jeunet film, this is done in a way that made me think of how Mission: Impossible would look if carried out by Wallace and Gromit.

The Paris in this film is idealised and a bit sanitised but nowhere near as much as in Amelie. Together, Jeunet and Caro directed award-winning animations. Their first live action film was The Bunker of the Last Gunshots , a short film about soldiers in a bleak futuristic world.


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Jeunet also directed numerous advertisements and music videos, such as Jean Michel Jarre 's Zoolook together with Caro. Jeunet and Caro's first feature film was Delicatessen , a melancholy comedy set in a famine -plagued post-apocalyptic world, in which an apartment building above a delicatessen is ruled by a butcher who kills people in order to feed his tenants. They next made The City of Lost Children , a dark, multi-layered fantasy film about a mad scientist who steals children's dreams so that he can live indefinitely.

Caro ended up assisting for a few weeks, with costumes and set design but afterwards, decided to work on a solo career in illustration and computer graphics. In , he released Micmacs [8] which is about a man and his friends who come up with an intricate and original plan to destroy two big weapons manufacturers.


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Spivet that starred Kyle Catlett. From Wikipedia, the free encyclopedia. Jean-Pierre Jeunet.

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Spivet ' ". Retrieved 21 April Biography portal France portal Film portal. Films directed by Jean-Pierre Jeunet. Spivet